Recently dug up an old mix (and an write up) from 2006.
Country Rock, Southern California Sound, Alt-Country. Call it what you will. The only thing we’ll say for sure is that these people have been beat down.
They’re probably beat down from snorting all night with Mick & Keith, or downing shots with George Jones, but it sure as hell isn’t from herding cattle.
I continue my trek on the celluloid fringe of Neil Young’s discography with the soundtrack to Where The Buffalo Roam.
Other than the factual information that is on the album sleeve, then regurgitated throughout the internet, I’ve found it hard to pinpoint any concrete information regarding Young’s involvement with the project. How did he become involved? How did the collaboration with the Wild Bill Band of Strings orchestra play out? Tell Me Why? Is it hard to make arrangements with yourself? When you’re old enough to repay but young enough to sell?
In Jimmy McDonagh’s Shakey, a throw away mention of the soundtrack appears only in context of teeing up work on Jim Jarmusch’s Dead Man.
In addition to everything else, Neil also began work on his first real film score (discounting a thrown-together Where the Buffalo Roam in 1980) for Jim Jarmusch’s surreal Western, Dead Man.
Here’s what we do know:
– Neil’s total contribution to the soundtrack is approximately nine minutes worth of music.
– All nine minutes is a variation on a theme of Traditional “Home On The Range.”
– Neil’s longtime producer David Briggs was the Music Supervisor on the project.
Briggs’ track selection play like an miniature Time-Life collection of the Sixties. Dylan’s “Highway 61 Revisted,” Hendrix’s “All Along The Watchtower” and “Purple Haze,” The Four Top’s “Papa Was A Rolling Stone.” The only real standout rocker is the Creedence deep cut “Keep On Chooglin’.”
Wikipedia tells us that: Because of the high cost of music licensing, most VHS and all DVD releases have retained only the Neil Young score and the Creedence song, “Keep on Chooglin'”, with the rest of the music replaced by generic approximations of the original songs. Only the theatrical release and early VHS releases contained the songs found on the soundtrack. The choice of songs for the DVD version was somewhat anachronistic, since it featured 1980s-style songs in a 1960s and 1970s setting. However, the streaming version I saw a few months back on Netflix had all the original songs.
Despite the limited minutes from Young, his “Home On The Range,” is beautiful. A few measures of pomp and circumstance followed by an acapella performance that is pure Shakey. If you can find a copy of the out-of-print soundtrack for a reasonable price, go for it.
“Buffalo Stomp” > “Ode To Wild Bill #1” – Neil Young with The Wild Bill Band of Strings
I never thought I would be writing these words, but I’m dangerously close to falling down an Al Kooper rabbit hole.
Prior to The Landlord OST, my only knowledge of Kooper was of his infamous involvement in the Highway 61 and Blonde On Blonde recording sessions, the copious amounts of soundbytes he has given about his time with Dylan, and his work with Stephen Stills and Mike Bloomfield on The Super Session.
As a teen who was just feeling his way around the indie rock scene, I have always distrusted The Super Session record from afar, mostly because it seemed to be the definition of the bloated establishment that I was running from. To this day I have never listened to it, but my days may be numbered.
A few months back, someone played me The Kooper Session (see what he did there?) that Kooper recorded with 15 year old guitar wunderkind Shuggie Otis. I really like it. The song below is in heavy rotation. Feel free to tell the dudes that run the Sub Pop Singles Club.
All The Tired Horses – April 2006
INTO THE MILD 